9/25/2023 0 Comments Charles bronson house of waxBut he is to spend three months off in Egypt, so Matthew, needing money right away, spontaneously sets ablaze Jarrod's life's work in an effort to collect $25,0000 in insurance money. Blown away by Jarrod's lifelike creations, respected art critic Sidney Wallace (Paul Cavanagh) considers buying out Matthew. Jarrod's museum attracts some business, but not as much as his macabre competitors and not enough to satisfy his partner Matthew Burke (Roy Roberts), who is looking to sell his share. It simply found great success that led the format to spread and subsequent 3D productions to be judged against it.Ī remake of the 1933 film Mystery of the Wax Museum, House tells the story of "Professor" Henry Jarrod (Vincent Price), a gifted turn-of-the-20th century New York City wax figure sculptor who shuns sensationalism in favor of historical exhibits. Like Avatar, House was not the first to introduce new technology. The Avatar of that era was the 1953 horror film House of Wax, which on Tuesday hits high definition in a hybrid 3D/2D Blu-ray Disc. This incarnation of the format has undoubtedly eclipsed the brief previous heyday of the mid-1950s. Whether or not the novelty starts to wear off in the rest of the world as it has for much of North America, there's no denying 3D's resurgence and ongoing ubiquity. The future of 3D might be in danger if foreign audiences, an increasingly substantial portion of this global business, didn't continue to support it enthusiastically and disproportionately. The biggest 3D attraction stateside this year was Pacific Rim, which came close to a 50/50 split, a far cry from the 70-80% 3D shares of Tron: Legacy and Alice in Wonderland in 2010. Around one-quarter of early tickets for the blockbuster Despicable Me 2 carried the 3D premium. Domestically, fewer than one-third of opening weekend moviegoers opted to see the 3D versions of the summer hits The Great Gatsby, World War Z, and Monsters University. Studios and theaters have invested too much for 3D cinema to disappear anytime soon.Īt the same time, the grounded, historical perspective pinning 3D as a cyclical fad was accurate too. Filmmakers as respected as Martin Scorsese, Peter Jackson, Ridley Scott, and Sam Raimi have embraced the format. It's almost impossible to make a big-budget movie without a 3D version. Today, 3D television programming, Blu-ray 3D, 3D gaming and software is all around us. Digital 3D has caught on far more extensively than all of the dimensional technology it succeeded. Many others felt that the popularity of this format would prove short-lived as all past incarnations of 3D had.įour years later, both hypotheses seem to have panned out in their own way. There were those like writer/director James Cameron who were convinced that this new form of 3D would revolutionize cinema to the extent that color and synchronized sound had. When Avatar became the top-grossing film of all time with a significant portion of its earnings coming from 3D exhibitions, there were two schools of thought on what its success would mean for the industry.
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